Monday, May 27, 2013

Out in Colorado - Anthology to Celebrate Denver's PrideFest - Storm Moon Press

In celebration of Denver's PrideFest - June 15th and 16th - author Caitlin Ricci recruited six of her fellow Colorado authors to contribute to an anthology published by Storm Moon Press and entitled, Out in Colorado. The sole caveat for contributing to the anthology was that each of the Colorado authors had to place their stories within Colorado.

Stories from the six authors include Something Old, Something Blue, by George Seaton; Casual Brillance, by Cari Z; Spirit's Fire, by Tabatha Heart; Take a Bow, by Caitlin Ricci; Frozen, by Lichen Craig; and Slip/Slide/Snow, by P.D. Singer

Storm Moon Press has been kind enough to schedule a blog tour for the release of Out in Colorado:



Monday, May 27th -- Caitlin Ricci (@CaitlinRicci) -- "Take a Bow"
Live Your Life, Buy the Book -- http://liveyourlifebuythebook.wordpress.com/ (@LifeBuyTheBook)
Tuesday, May 28th -- George Seaton (@GeorgeSeaton) -- "Something Old, Something Blue"
World of Diversity Fiction -- http://sean-norris.com/ (@WoDFReview)
Wednesday, May 29th -- Tabatha Heart (@TabathaHeart) -- "Spirit's Fire"
The Armchair Reader -- http://www.coleriann.com/ (@ArmchairReader)
Thursday, May 30th -- P.D. Singer (@PD_Singer) -- "Slip Slide Snow"
Cup o' Porn -- http://cupoporn.net/ (@CupoPorn)
Friday, May 31st -- Caitlin Ricci (@CaitlinRicci) -- "Take a Bow"
Joyfully Jay -- http://joyfullyjay.blogspot.com/ (No Twitter Handle for the blog, but @JayHJay432 runs it)
Saturday, June 1st -- Cari Z (@Author_CariZ) -- "Casual Brilliance"
Well Read -- http://jenre-wellread.blogspot.com/ (No Twitter Handle for the blog, but @Jenre30 runs it)

Colorado M/M authors, including those who contributed to the anthology will have two booths at Denver PrideFest, June 15th and 16th, where copies of the anthology, as well as other titles, will be available. In addition to those Colorado authors mentioned above, please come and meet the other talented Colorado authors who will be present, to include: Marie Sexton, Brannan Black, Carter Quinn and others.

Saturday, February 16, 2013

Reviews - A study in democratism....


I read today probably the most caustic review of a work in the M/M genre I believe I've ever seen. I haven't read the book, and can't speak to whether or not the review was fair. But I can only imagine the author's reaction. And, certainly, the publisher must be experiencing a little angst, as well. 

For a short time I wrote reviews for a great site, and enjoyed the process to the extent that I found myself reading work that I otherwise wouldn't ever have thought to dig into. The site I contributed to, however, made it clear from the outset that if I didn't like a title I shouldn't attempt to review it. If I did write a review, the owners of the site urged me always to be kind, firstly mentioning the positives of the work, and then if I found issues with it, to note them gently, but always concluding the review on an up note. I believe there were only two works that I neglected to review: the first because it was just awful--no plot, sterile characters, and abysmal editing; the second was just simply not to my taste, and I found it essentially boring.  

Not too long ago, a review of my novella "Saving Skylar Hand," was posted at Goodreads that began with this: "This is a childhood best friends turned lovers romance, the 'soul mate you are the only one for me' kind. It is sweet and very romantic. The two main characters are likable, though the one called Skylar is very frustrating." I believe the reviewer gave the story three stars.

I'm not one to tarry long on the worth (those that are positive) or worthlessness (those that are illogically negative) of reviews. In saying that, I'm reminded of a quote from William F. Buckley III (Yes, I've read him) that began, "Such is the egomania of democratism...." Those six words seem to capture the essence of reviews; anybody can provide one with the only requisite being that they can read. Though, in some cases, it appears some are not able to read that well. Or maybe it's a problem with cognition? I don't know. But, such in the egomania of democratism... 

I attempt to thank everyone who takes the time to review one of my stories, regardless of their conclusions, and I did thank this reviewer who took the time to look at "...Skylar...", commenting that I was sorry the story didn't fully please her.

I suppose I should have just left well-enough alone, though, as her response to my comment was a wee bit smarmy and a little pedantic. Her response to my response was that she hoped my future writing would live up to the standards of two of my earlier stories, "Continuum," and "Just for Christmas," suggesting, of course, that "...Skylar..." hadn't made that particular cut.

Be that as it may, I probably shouldn't have continued reading her review after I'd finished the first sentence--"This is a childhood best friends turned lovers romance, the 'soul mate you are the only one for me' kind..." My thought upon first reading that sentence was, Well, I didn't know that's what I wrote, but if she says so...

The thing is, she put "...Skylar..." into a tired old category, 'soul mate', a cliche really, that she supposed was my intent in writing the thing. And, of course, obviously, she concluded her less than enthusiastic view of the work was my fault for writing it like I did. Once again, the egomania of democratism... To paraphrase Buckley further, I wanted to ask her if she valued characterization, or plot development, or secondary characters that stole the show in places, or the dynamic of families, or the pressures placed upon young gay kids by parents, or if she'd ever reckoned much the worth of an author's style--the way words flow, one after the other. 


I suppose my issue with the review was a realization that most readers know what they like, and if they don't find what they like in a story--even though the story might be five-star quality for others--they, yes, assume it is the author's fault that he didn't write to their tastes.

The bottom line is, of course, that reviews sell books. Whether or not anyone took to heart the lame review of "...Skylar..." provided by this person, and therefore marked it off their reading list, or decided not to add it in the first place, is not known. What is known is that, again, anyone can write a review with sublime temerity, and suffer no consequences whatsoever as a result. But, the author and the publisher? What do they suffer? 

I'm ever thankful when anyone takes the time to first read, and then review any of my work. Good review or bad, I do appreciate their time and effort. I doubly appreciate someone who reviews my work depending upon something more substantial than what they would have liked to have seen in the pages rather than what was actually written. So, too, any reviewer who assumes they actually know the author's intent in writing a story, is a reviewer who, I believe, assumes too much.

Such is the egomania of democratism.... 

Monday, February 11, 2013

Vignettes of the Office - Darkly Told

Another dive into Amazon self-publishing, is Vignettes of the Office - Darkly Told. These five short stories are new, with the caveat I've been working on them for a while. These stories are wee visits to the dark side of anyone's office environment or experience. Ever wonder what's in those burritos Benita Mae makes for you all? Ever wonder what goes through the mind of the old guy, the one with the most seniority, but not yet promoted to the corner office by the window? And what about the oddball of the crew? What's his out-of-office life all about?

I've written a few horror shorts over the years. When I'm writing them I do enjoy it and am somewhat surprised by the dark turn my mind takes in the process. Later, after reading them again, I'm equally surprised that such came from me. Where did I get that stuff?

Here's the Amazon link. And here's a sample:



Henry hunkered in his cubby. Gave up the cup of Clorox in his bath. Popped Viargra the moment he arrived at work—the resulting rise the penultimate affirmation of his manhood. Peeked into his briefcase at ten, noon, and two, and gave a wink to the silent presence and determined promise of the .44 caliber magnum he now carried to-and-fro his and Shirley's snug condo.  He still smiled at his workmates, but without a "Hi." Avoided the break room. Ate his lunch at his desk. Ceased dispensing his wisdom to workmates, who'd yet to be born when he first occupied his cubby; a time when he first began to nurture the certainty of his destiny, his passion to be the honcho, el jefe, el supremo, the boss.
Days of Henry's funk turned to weeks, months. Workmates passed his cubby, smelled something feral, something dangerous. Those who turned their heads to view Henry's slump within his ergonomically designed chair, saw the newly exaggerated hump of his shoulders as he leaned forward, his elbows on his desk, his phone to his ear, his former high-pitched screech now only a bare raspy whisper. Others noticed—their glances quick, unobtrusive—what appeared to be peaches lined across his desk. Still others saw Henry's ear holes untended, the wiry black hairs remarkably prolific, long enough to braid.

         On a Wednesday, hump day, Henry ate seven peaches at his desk, left the seeds neatly spread, one after another, across his now juiced work surface, his tie and shirt, too, had received a squirt or two. At noon—High Noon, he thought, feeling the jut of his Viagra-induced hard-on against the cotton of his boxers stubbed up against his tan polyester pants—he turned his back to the entrance to his cubby, and opened his briefcase. He gently lifted the chrome-plated pistol from its lair, pulled his handkerchief from his back pocket, and polished the heavy weapon until it gleamed. He smiled. 

Tuesday, January 29, 2013

Stories from the Yampa Valley - The Cow, Fixing Fence

If I were to be asked what stories I've written are my favorites, I would not hesitate to firstly name "The Cow," and "Fixing Fence." 

I wrote these stories several years ago, after visiting the Yampa Valley in South Routt County, northwestern Colorado.  More specifically, I visited a friend's family's ranch in order to see exactly what went into the task of fixing fence, something that my friend knew a bit about. While there, we traveled the ranch in an SUV, and saw the particular images that I later placed within these two stories.

I've self-published these stories at Amazon, the link is here.


Let me give you a taste of both:


THE COW

The forever wind huffed from the north and west, goosing a response from lodgepole pine, fir, spruce and newly leafed aspens that surrounded the bone yard. Brought with it an odor of the land, of spring, the aromas of pine and horse and cow shit.
Jack turned his head and once again studied the old cow. He’d known this cow. Passed into manhood knowing this cow. She’d dropped some fine calves, fat and sassy. But there was something else about her, something since he was eighteen that had caught his eye, his interest. She was independent, usually kept herself and her calves apart from the herd. Went her own way, he thought. She’d never bawl when they took her calves from her for branding and tagging, castrating if needed. She’d just stand off by herself, listen to her calf scream for her proximity, watch the process as though such a thing was an inevitability she could do nothing about.
He never had to check her ear tag to know who she was. She was known.
Jack finished his smoke, snubbed the thing out on the sole of his boot and breathed deep of the land, sighed, and turned to the cow.
After untying the rope he’d secured around the cow’s head and forelegs, he threw the rope in the back of the pickup, turned, stepped to her body, sat to his haunches and took off his glove. He placed his hand on her white face, gently stroked her. “You were a good ol’ cow,” he said. He pulled his hat back down on his forehead, stood up and drove the Dodge back to the home place.

FIXING FENCE


“Fence ain’t gonna fix itself.” Gus pulled the pickup alongside the sagged fence, cut the ignition, and let the truck glide to a stop. He waited for a response from his grandson, Joe. When none came, he turned, saw Joe’s chin resting on his chest, deep breaths, even a little snore. Kid would sleep through a train wreck. He studied the boy for a moment. Joe’s black hair, eyes the color of almonds behind the now closed lids, the slightly brown skin, all of it coming from the boy’s mother, a Greek beauty, the daughter of a sheep rancher from Craig who’d captured his son’s heart. The first instance of a Klynkee not marrying into a German line, Gus now, as he’d done a thousand times, looked for some little hint of his son in the boy’s face. Maybe his nose, Gus thought. He shook his head. Maybe his heart. Gus stepped out of the truck, paused a moment and turned his eyes, hard and gray as iced-over river water, toward the sunrise, his squint defining his face as crinkled paper, deep set lines earned from sixty years of worry about the lives and deaths of cows since he was ten. He took off his hat, ran his fingers through his still full head of purely white hair. Put his hat back on, coughed, spit. Saw blood on the ground. Pulled his red hankie from his back pocket and wiped his mouth. He nodded his head, knew the prognosis.
 "No sir, fences just don't up and fix themselves!"
 After he said the words again, Gus slammed the door. The sound jerked Joe halfway out of the few winks he was catching since climbing in and slumping down into the passenger side of the battered pickup. Coming awake now, the jolt of the door slamming sounded like a rifle shot, fired close. Too close. Joe slid up, kept his eyes closed and remembered the orthodontist.